Hyper-realistic, semi-realistic, surreal anime scene of a broken cement fringe at the very edge of a colossal floating city, over the abyss, cracked slab, Earth many miles below — contemplative, melancholic awe. The setting: an enormous futuristic metropolis of stacked floating platforms, cantilevered gardens, suspended transit rails, and towering spires; holographic billboards, neon kanji and abstract glyphs, swarms of delivery drones and maintenance bots weaving through scaffolding; broken concrete and exposed rusty rebar at the edge, small puddles reflecting neon. Below the city the curvature of Earth is visible through atmospheric layers — cloud bands, distant continents, city light patterns on the nightside, a faint auroral haze and wisps of high-altitude clouds that emphasize vertigo and scale. Mood and atmosphere: vertiginous solitude and quiet wonder, a melancholic, surreal stillness mixed with the hum of distant machinery; introspective and slightly defiant, a cinematic sense of isolation against vastness. Lighting and color: dramatic dusk/twilight palette — deep indigo sky graduating to magenta and teal neon glows; warm golden rim light from a low sun casting long shadows and glancing off metal surfaces; soft volumetric light beams cutting through urban haze, specular wet reflections on concrete, subtle lens flare and high-dynamic-range contrasts with gentle ambient fill. Artistic style and rendering directives: ultra-detailed, hyper-realistic material textures (fabric weave, cracked concrete, rust, wet reflections) blended with semi-realistic anime facial stylization and slightly exaggerated proportions; surreal visual flourishes such as floating geometric debris, translucent data streams and koi-like holographic fish drifting around; cinematic wide-angle composition (24–35mm) with a slight high-angle vantage to emphasize depth, shallow depth of field focused on the woman with a creamy bokeh of distant neon lights, photoreal lighting and shadowing, pain